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IT Chapter 2: Why Bill Hader and James Ransone are the heart of the film

  it-2-bill-hader-james-ransone-slice-1 In a movie so obscenely packed with demon clowns, gory deaths and forced drug trips to the Paleolithic Era, it's hard to pin down a most " memorable "moment in IT Chapter Two . Director Andy Muschietti's sequel to his blockbuster 201

7 Stephen King adaptation is a difficult epic, two hours and 45 minutes of cosmic form-shifting horror that is as inconsistent as it is frightening. And yet, and yet, the moment that has stuck in my head since my first viewing is a calm one, in the stunned aftermath of a set in the crumbling old house on Neibolt Street. It is James Ransone that adult Eddie Kaspbrak explains to Bill ( James McAvoy ) why he did not step in to ward off one of Pennywises ( Bill Skarsgård ) terrible opinions and told his friend that he "just got really scared."

God, it's a heartbreaking bit of delivery. On the surface, it will be over-the-top in its wobbly, childish call that Bill should just understand, but have you ever heard how someone sounds like when they're actually really afraid? It sounds like Ransone's choice to make Eddie as helpless as possible. It's by far the most human moment in a creature- function that often lacks much for any humanity, when these moments come it is almost always courtesy of Ransones Eddie and Bill Hader Richie Tozer, two performances that make up the much needed the heart in the center of IT Chapter Two mayhem.


Image via Warner Bros. / New Line

I have been struggling with this movie since the credits started rolling; I thought the moral message in the end was everywhere to overcome your demons and suicide-as-a-strategic move, and I also believe that the middle of the movie loses itself to an unnecessary formula that works best to tell your information we already learned in Chapter One . But I can't really shake the feeling that I … love IT Chapter Two ? How could you not do that when you watch a great studio movie that takes part in strange cosmic horror? When you see a modern monster icon take shape – or multiple shapes – thanks to Skarsgard's Pennywise? Or when you get to spend time in a relationship as beautiful, subtly alive as that between Eddie Kaspbrak and Richie Tozer?

This, of course, includes the film's biggest departure from King's source novel, the revelation that Richie is a gay man who has lived his life in the closet and has feelings for his childhood friend Eddie. It's a wonderful idea in theory; it acts as a complete companion to the film's awful opening, where a gay man named Adrian Mellon ( Xavier Dolan ) is thrown off a bridge by a band of smalltown bigots and quickly dispatched by a pending Pennywise, proof of that the evil of the original clown spirit runs deep through Derry's and its people. In that light, Richie would finally accept his sexual coming hand in hand with Pennywi's defeat, a figurative and literal triumph over his deepest roots. But IT Chapter Two cannot fully commit itself to the concept. After Eddie's tragic death in It & # 39; s lair, we see Richie carve his initials in that bridge next to his fallen friend's, but we wonder – unlike the rest of the losers, whose future is pretty clear – if the blissful moment of truth continues into Richie's life after Derry.


Image via Warner Bros.

But if the movie doesn't commit, Hader and Ransone do, and it's a miracle to watch. We knew we would go into these two to give their fair share of whiz-bang jokes and comic relief – it's a SNL alum and freaking Ziggy from The Wire come again – but it's amazing how both of these actors navigate subtle movements, not just between each other but in solo scenes. The slender jaw of pure unfaithful Hader locks in his face as Pennywise descends from the top of a Paul Bunyan statue in a cloud of red balloons. How Ransone Turns a Knife Through the Cheek with the permission of Henry Bowers ( Teach Grant ) into something darkly tacky, as a one-scene guest conducting spot by Sam Raimi . This does not mean that the rest of the adult losers do not put on powerful performances – the cast on this film is so crazy that I still wonder the way Jay Ryan and Jeremy Ray Taylor somehow look nothing like but also exactly equally – but Hader and Ransone give flowers that sell fear in an extremely human way, the kind of feeling-in-your-legs, fear in reality that drives

. Everything culminates in what is, to me, the linchpin moment for their emotional arcs. The battle comes moments after Eddie dies – after delivering one last ditch about fucking his friend's mom, of course – when Richie simply refuses to believe his friend is dead. It's simple, but Hader fills the moment with such a stubborn, aching reality. Both films in the IT saga are so much about the power of faith, the kind of belief that is strong enough to kill monsters and change a person for good, and here is a man so injured on the human level he won believe not what's right in front of him. That, simply put, is a story at the center of IT Chapter Two strong enough to make the whole thing work.

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