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Dwayne Johnson takes on three giant monster variations

Based on the same mid 80's Bally Midway arcade game that unofficially inspired Disney's "Wreck-It Ralph", Brad Peyton's "Rampage" does not seem to understand his own appeal. Restore disaster-resistant star Dwayne Johnson with his "San Andreas" director, this brainless big screen monster smash movie assumes that the audience wants to see Rock stop three huge mutant creatures from destroying American metropolises when the fact is It's a joyous opportunity to witness just that kind of spectacular CG devastation that gave the game its name – and probably got the movie.

Attaches the manuscript to decades of nuclear weapons, the original "Rampage" invites you to play as one of the three races ̵

1; a giant monkey, a godzilla-like lizard or an overgrown waswolf. In the game, the goal is to reduce as many buildings as possible in ruins, while this impressive, but relatively less entertaining, big screen customization gets it backward and returns to the sharp, save-our-city panic that burned such hokey 1950 classic like "them" and "the beast from 20,000 fathoms."

Arriving at theaters a few weeks after "Tomb Raider" and "Ready Player One", "Rampage" latest major studio try to do well on Hollywood's most exasperating genre: the video game-based VFX showcase. Granted, Spielberg's Boffo "RPO" was adapted from a pop adventure book about a virtual game platform that certainly explains why it works better than Duds as "Doom" and Uwe Ball's collective work, although they all suffer from the same problem . Interactivity can make video games addictive to play, it's not fun to review other people's shoulder and so far, not a single live action movie has managed to recreate the thrilling thrill of controlling the action itself.

In the case of "Rampage", the movie feels exactly what it is: a mega-budget studio tent pole rebuilt by an 8-bit arcade classic (not less than four scriptwriters) designed to eat dollars in much the same way as original games gobbled quarters. Look at it, imagine that the creative team strives to adequately confirm the source material – like digital meanies punches in skyscrapers, strikes military vehicles and throws helicopters out of the air – but they would have been better away from the beginning. As we are no longer "Rampage" about us, instead of getting rid of the monsters (which started as common predators, "weapons" of a malicious gene-mutating formula), we are urged to identify with a Dwayne Johnson hero instead.

Johnson, who plays San Diego Wildlife Preserve Primologist Davis Okoye, is a huge entertaining screen presence in himself, but there's something to throw a guy who looks like the human growth hormone poster killer in a movie that counts himself as a precautionary story about the dangers of biological manipulation. Davis can talk to animals and share a special band with George, an albino gorilla who has learned to write. (Somewhere along the line, Davis George taught a handful of pious gestures, prominent in his vocabulary, while making him the most articulate character on the screen.)

Instead of going "Big Meets Bigger" of the movie's tagline, it would have been a fun project to throw a pint size like Alicia Vikander (rejected by the audience like Lara Croft), but it would have made for a completely different movie. For what is worth, Johnson receives a worthy women cohort in the form of Naomie Harris, who plays Doctor Kate Caldwell, the charismatic researcher responsible for inventing the genetic engineering without control.

After a series of laboratory attempts made on a space station are terribly awful, resulting in the entire plant being destroyed in the opening scene, samples of Caldwell's formula fall to the ground, George (which swells to King Kong proportions) infects an alfavar somewhere in southern Wyoming and a crocodile in the Everglades National Park. Davis is devastated to see his beloved choice go berserk. When he understands what he's dealing with, he works to track the antidote before the monsters destroy a whole city.

Lets a page from the Ghostbusters book, the script "Rampage" switches between spicy joke and pseudo-scientific mumbo jumbo (much of the latter falls into a pair of ruthless winnings played by Malin Akerman and Jake Lacy). The film goes unusually far out of its way to justify its displaced performance, while showing complete ignore of natural laws at every turn – not the popcorn audience will think. The half-amusement of giant monster films makes our dissolution of mistrust tense like a bridge in Godzilla's path, and probably the movie creates some gonzo twists (including a special outlandish bonus mutation) for the final – an expanded set-piece where the three creatures converge in Chicago , which has usually gone easy where natural disasters are concerned.

But it may be "Rampage" knows its audience – namely "Transformers" fans and children born after 9/11 for who elaborately orchestrated scenes of falling skyscrapers carry a series of real trauma (it is much harder to stomach for them as can remember the smell that permeated Lower Manhattan after the Twin Towers collapsed). What director Peyton lacks in artistic vision, he compensates for his ability to lose such CG-intensive production, which is more than one can say for WB favorites such as David Yates ("The Legend of Tarzan") and Zack Snyder ("Justice League ").

Unlike these filmmakers, Peyton delivers a unified whole, where the visual effects integrate well with stage and site work. George, the fast-growing, hyperaggressive gorilla, poses a unique challenge, because he must be sensitive enough for Davis to try to save. Certainly, they do Weta Digital wonders to imitate the virtual character with an empathetic personality, making it difficult to watch when the US military uses all the resources at its disposal to suppress the beast. (Special credit to creative designers, who find a fantastic new way to "develop" all three species.)

Peyton's strategy is to match large-scale chaos with comparatively large human personalities. While Johnson obviously keeps its own, the rest of the cast must exaggerate its achievements to continue. By far, the most outrageous Jeffrey Dean Morgan, who represents a la wild-eyed Robert Downey Jr. like a goon from a named authority who likes a kind of renegade cowboy. In some way, along with Harris, this trio must take down the monsters – but it is not clear at all what can stop these almost indestructible creatures. The trick here makes the audience care about what's going on in George (remember, Disney did it with "Wreck-It Ralph"), after 85 years of King Kong movies, everyone has only cemented the cliché "Rampage" game played for to crush.

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