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Bill Murray, Adam Driver in Zombie Comedy – Deadline

Walking Dead has sucked the whole life out of the zombie conversation in recent years, but it hasn't stopped director Jim Jarmusch from diving. The only problem is, besides a few political jabs, there is nothing new to say about The dead do not die, a virtually lifeless comic takeover that is saved as far as it goes by an amazing casting that only Jarmusch could put together on the basis of this script. 19659002] Deadline

In what is really nothing but a deadpan version of an old Abbott and Costello movie, Bill Murray as Cliff, the chief of police in a sleepy little town called Centerville, USA, and his troupe partner Ronnie ( Adam Driver) patrols the site for any problems. But despite small joints between Hermit Bob (Tom Waits) and Farmer Miller (Steve Buscemi) ̵

1; the latter wearing a red cap saying "Make America White Again" – there is not much about any kind of global environment "Polar fracking" disaster erases at night and keep the city lit 24/7. This releases the local dead, who ascend from the cemetery to start a zombie invasion that causes great chaos and lots of blood extinguishing, including from Iggy Pop!), Which tears up your dinner with Sara Driver.

This, of course, is causing concern for the police, which also includes Chloe Sevigny as officer Mindy Morrison, but it does the keeper Zelda Winston busy. Being played outlandishly by the always great Tilda Swinton with Scottish accent, samurai and a former postcode from another part of the universe, she may flip off a lot of head with intense determination. Selena Gomez shows up with other teenagers, driving around in an old Pontiac. Danny Glover, Caleb Landry Jones, Carol Kane and others go in and out, and there is a lot of generous devastation, but thankfully Murray and Driver keep it grounded, and know how to deliver patented Jarmusch dialogue with subdued expression.

the best bits come as the driver breaks the fourth wall and begins to refer to his director's script in how everything will eventually appear. I don't need to tell you that, really, what does that mean? This type of thing lives or dies on the strength of its cast, and in this case it may suffice to touch any initial interests. However, I must say that it is a disappointment coming from Jarmusch, an odd director to be safe, but a capable of greatness. His previous film, Paterson, which constituted Driver as a bus driver, was perfection and landed on my top 10 list for the year.

Like so many of his films, including a better genre body about vampires a few years ago called Only darling Left Alive (even with Swinton), The Dead Not Die was in competition last month at the Cannes Film Festival, where it received prestige opening-night slot. I have to say, despite some fun moments and some exciting points about climate change, I almost forgot about the thing when I got to the bottom of the Grand Theater Lumiere steps. I was good to watch some good actors doing their best to take it seriously and get some laughs on the way. But this is a decisive little ticket from the man who brought us Broken Flowers, Coffee and Cigarettes, Night on Earth and Stranger Than Paradise among others.

The producers are Joshua Astrakhan and Carter Logan. Focus functions open it halfway on Friday. Check out my video review on the link above that contains scenes from the movie.

Are you planning to see The dead do not die? Let us know what you think.

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